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Now in production — Ballet tour SEA, Hanoi 12 Dec 2026 / 6inch Dance Camp — Koh Samui 18 Nov 2026 / Enigma — Bangkok encore TBA / Cherry Blossom Festival India — Akon headlining / Token Dubai 2026 — in prep  /  Now in production — Ballet tour SEA, Hanoi 12 Dec 2026 / 6inch Dance Camp — Koh Samui 18 Nov 2026 / Enigma — Bangkok encore TBA / Cherry Blossom Festival India — Akon headlining / Token Dubai 2026 — in prep
EN · RU

Pop-up venue · Phuket · 5 – 20 January 2027 only

The client brings the show.
We bring the stage.

Redtix Stage is a turnkey open-air concert venue on the west coast of Phuket — engineered for premium live shows, brand activations and festival nights. 3,500-capacity total — VIP, Fanzone and General Admission. 24 × 12 m covered stage, full L-Acoustics K3 PA, grandMA3 lighting, 45 sqm LED, 3-camera live feed, and a 16-person production crew.

We rent the venue end-to-end. The client books the artist, sells the tickets, runs the marketing. Everything from the concrete up — sound, lights, video, stage, power, crew — is on us. One contract, one PIC on site, one bill.

24-hour costed reply on every brief — no follow-up call required.

Redtix Stage at sunset — full L-Acoustics K3 rig, 45 m² LED wall, audience pit. The room in showtime light.
Redtix Stage · Pa Thong, Phuket 3,500 cap · 24 × 12 m covered stage · 45 m² LED

Limited window · January 2027

Available 5 – 20 January 2027 only.

Sixteen-day rental window before the next venue rotation. We hold a pencil for 7 working days from brief; second pencils on a held date are notified before the holder converts or releases.

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  11. THU 15 Open
  12. FRI 16 Open
  13. SAT 17 Open
  14. SUN 18 Pencil
  15. MON 19 Open
  16. TUE 20 Pencil
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  • Pencil-held · convertible
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Pencil your date → Book a call → 7-day pencil hold · costed reply within 24 h
3,500
Capacity (VIP + Fanzone + GA)
288 sqm
Stage — 24 × 12 m
45 sqm
LED screens — P3.9
16
Production crew

On this page

Jump to what you need.

  1. 01 Availability — Jan 2027
  2. 02 The offer
  3. 03 Location
  4. 04 Capacity
  5. 05 Stage renders
  6. 06 Stage
  7. 07 Sound
  8. 08 Lighting
  9. 09 LED & visual
  10. 10 Power
  11. 11 Crew
  12. 12 Backline
  13. 13 Pricing
  14. 14 Add-ons
  15. 15 Ticketing
  16. 16 Payment
  17. 17 Booking
  18. 18 Terms
  19. 19 FAQ

The offer

One contract for the entire production layer.

What's included

  • 24 × 12 m covered open-air stage with backstage tents
  • Full L-Acoustics K3 line-array PA with KS28 subs
  • grandMA3 lighting console + complete rig + lighting designer
  • 45 sqm LED screen + Resolume Arena + dedicated VJ operator
  • 3-camera live video feed with director and switching
  • 2 × 200 KVA diesel generators (primary + backup) with ATS
  • 16-person production crew including Production Manager (single PIC on event day)
  • Setup, operation, dismantle and equipment transport
  • Air-conditioned artist tents with private toilets, chairs, dishware
  • Megatix and Redtix ticketing onboarding

What you bring

  • The artist booking, fees and travel
  • Event permits, security and crowd management plan
  • Public liability insurance (10M THB minimum recommended)
  • Marketing, promotion and ticketing strategy
  • Backline / instruments — optional add-on, quoted on the brief

Built for

  • International promoters routing a single Phuket date
  • Festival operators needing a polished open-air room
  • Brands running a one-off activation or sponsor concert
  • Tour managers who want a single PIC instead of seven vendors

Location

Pa Thong, Kathu — west coast of Phuket.

Sited between Kamala and Patong on the Andaman side of the island, with open sightlines to the bay and a quiet road approach for production vehicles. 15 minutes by car from Patong, 45 minutes from Phuket International Airport. Direct truck access for load-in, ample parking for crew and VIP.

Address
Pa Thong, Kathu, Phuket, Thailand
GPS
7.879600° N, 98.290553° E
From Patong
15 minutes by car
From the airport (HKT)
45 minutes by car
Map
Google Maps ↗

Capacity

3,500 across General Admission, Fanzone and VIP.

200
VIP Platform

Elevated platform behind the Fanzone — 20 tables × 10 guests, bottle service, dedicated bar and security access. Premier sightline.

500
Fanzone

Priority standing, closer to the stage, dedicated bar, faster ingress lane. Sits between GA and the VIP platform.

2,800
General Admission

Full L-Acoustics PA coverage, sightlines to stage and side LED. Crowd-flow tested for stadium-format support.

Maximum venue capacity is 3,500. Crowd-flow, ingress lanes and bar coverage are designed and permitted around that number — no quiet expansion past it.

Stage

24 × 12 m covered platform. Engineered, signed off, weather-protected.

Front-on render of the Redtix Stage rig — L-Acoustics K3 hangs, 45 m² LED wall, lighting truss.
Front elevation · 24 × 12 m · K3 PA · 45 m² LED
  • Footprint: 24 m wide × 12 m deep — 288 sqm usable.
  • Roof: 6-bay steel truss, 4.00 m bay spacing.
  • Height: 9.10 m at ridge, 7.45 m at eaves.
  • Overhangs: 3.05 m each side, 3.50 m front and back.
  • Roof footprint: ~30 × 19 m — full weather protection.
  • Stage floor: +1.51 m raised platform on 20 mm Smartboard reinforced deck.
  • Rigging: 12 rated points (1 tonne each) for PA, lighting, LED.
  • Backstage: 2 tented zones — artist green room + production office.
  • Artist tents: air-conditioned, separate private toilets, chairs, tables, basic dishware.
  • Engineering: drawing set A-01 to A-05, scale 1:100, by Thailand Mountain Phuket (14 March 2026).

Sound

L-Acoustics K3 — concert-grade, network-controlled, FOH-tuned on site.

10 lines of spec — open for the full sheet

Full K3 line-array system with KS28 cardioid sub stacks, X15 HiQ wedges and a Yamaha CL5 + RIO3224-D2 digital console. Dante-redundant audio network, SMAART alignment on the day, LA Network Manager for live tuning. The system is designed and rented as a unit — not bid out to multiple sub-vendors.

ComponentSpec
Main PA16× L-Acoustics K3 — 2× 8-box hangs L/R · 120° coverage · 110 dB/unit
Subwoofers16× L-Acoustics KS28 — dual 18" · 143 dB peak · cardioid ground-stack 4×4 L/R
Side fill2× L-Acoustics Syva — column source · 140° horizontal coverage
Monitors6× L-Acoustics X15 HiQ — co-axial 15" wedges · 136 dB · 6 independent mixes
Amplifiers14× L-Acoustics LA12X — 4-channel with DSP · network control
ConsoleYamaha CL5 + RIO3224-D2 — 72+8 inputs · 24 buses · Dante · fiber stage box
Peak SPL at FOH140+ dB
Frequency response28 Hz – 20 kHz
NetworkDante redundant audio
TuningSMAART on-site alignment · LA Network Manager

FOH position: centre-field at 25–30 m from stage, behind the Fanzone. Houses CL5 console, LA Network Manager rack, grandMA3 lighting console, video switching. Optimal acoustics, full sightline.

Lighting

grandMA3 XT plus a 60+ fixture rig — drawn by a designer, not a list.

6 fixture lines — open for the rig sheet

FixtureCountNotes
Robe MegaPointe24Moving head spots · CMY · dual gobos
LED Strobe20RGB+W panels · variable rate · DMX
Audience Blinder8Warm tungsten
COB Wash8Moving COB face lights · RGBW
MDG Hazer2Oil-based atmospheric haze
grandMA3 XT1Console + dedicated lighting designer

LED & visual

45 sqm of P3.9 across three walls + 3-camera live feed.

5 lines of LED + camera spec — open

ElementSpec
Main backdrop1× LED wall P3.9 · 7 × 3 m · 21 sqm · content + IMAG
Side screens2× LED walls P3.9 · 4 × 3 m each · 12 sqm each · IMAG
Total LED45 sqm
Media server1× Resolume Arena · dedicated VJ operator
Camera package3-camera live feed · PTZ + manned · live switching with director

Standard package can be extended with one more side wall (4 × 3 m) on request — see add-ons.

Power

400 KVA available, 280 KVA estimated full load. Backup is real.

  • 2× 200 KVA diesel generators — primary + backup.
  • Auto-transfer switch (ATS) — failover happens without an audience-facing dropout.
  • On-site electrical technician throughout the production period.
  • Fuel management included in the rental.
  • Estimated full-load draw with the standard rig: ~280 KVA, leaving 120 KVA headroom for client backline and add-ons.

Crew

16-person production team. One named PIC on event day.

Full crew breakdown — open

01FOH Sound Engineer
02Monitor Engineer
03Lighting Designer
04Visual / LED Operator
05–06Camera Operators (×2)
07Camera Director
08–15Stage Crew / Riggers (×8)
16Production Manager — single PIC on event day

Backline · optional

Standard backline available on request.

IEM · keys · drums · drum mics · bass — quoted on top of the rental

Backline is not included in the rental price. The stage, PA, lighting, LED, power and crew are turnkey; instruments come on a separate line item. We hold a concert-grade standard backline kit ready in Phuket — TM riders typically match against it one-for-one — and anything outside is sourced on the brief.

In-ear monitors & wireless mics

  • 2× Shure PSM1000 — IEM transmitter
  • 4× Shure P10R+ — IEM receiver
  • 2× Shure Axient Digital AD4 — wireless receiver
  • 4× Shure AD2 — handheld transmitter

Keys

  • 1× Roland RD-700 — stage piano
  • 2× two-tier keyboard stand
  • 6× ¼" jack-to-jack cables

Drums

  • 1× DW Collector's drum kit
  • 1× DW Collector's hardware pack
  • 2× kick pedals
  • 3× boom stands
  • 2× snare stands
  • 1× hi-hat stand
  • 1× round drum throne
  • 1× Zildjian A Custom or K Custom cymbal pack

Drum mics

  • 1× Shure Beta 52 / Beta 91 — kick
  • 4× Shure SM57 — toms / snare
  • 4× Sennheiser e604 — toms

Bass

  • 1× Aguilar DB 751 — bass head
  • 1× Aguilar DB 412 — bass cabinet
  • 1× Fender Jazz Bass — 4-string
  • 1× soft case for bass guitar
  • 1× guitar stand

Pricing

Two packages. Identical equipment and crew. No hidden fees.

Weekday
$30,000 USD
≈ 1,050,000 THB
Monday – Thursday
Weekend
$45,000 USD
≈ 1,575,000 THB
Friday – Sunday

Both packages are identical in equipment, crew, venue access and SLA. Weekend reflects higher demand. THB conversion confirmed at booking. Multi-event discounts available for 3+ date bookings.

Prices in USD. Method: SWIFT transfer. Bank details provided upon booking confirmation.

Optional add-ons

Calculated on top of the rental price.

8 line items — open the menu

ServicePrice (USD)
Additional LED screen 4 × 3 m$3,500
Pyrotechnics / CO₂ jetsFrom $2,000
Extra sound check$500 / hour
Extended hours past 02:00$1,500 / hour
Recording / broadcast$5,000
Drone shooting$1,000
Vibe video production$1,000
Custom backline / instrumentsQuoted on rider

Ticketing

Megatix for THB and international. Redtix for RUB.

Megatix

Exclusive partner for THB and international card sales. Full e-ticket system, mobile scanning, real-time dashboard, full integration with our access control on the day. Onboarding is part of the booking.

Redtix

Exclusive partner for RUB sales. Russian-language interface, local payment methods (SBP, Russian bank cards) — covers the Russian-speaking tourist segment in Phuket that Western platforms simply do not service. Onboarding included.

Payment terms

Three phases. No invoicing surprises.

Phase% of totalWhenNotes
Deposit50%Upon booking confirmationNon-refundable. Secures the date.
Pre-production25%14 days before eventEquipment prep · transport · crew.
Final balance25%Event day, before load-inFinal payment before setup begins.

Cancellation policy

  • 30+ days out: 50% of deposit refunded (25% of total retained).
  • 15–29 days out: deposit forfeited. No further charges.
  • 14 days or less: full contract amount due.
  • Force majeure: full refund minus irrecoverable costs.

Booking process

Eight steps, ~10 minutes of your time.

  1. 01
    Brief us. Send the date(s), expected attendance, artist or format, any unusual technical requirements.
  2. 02
    Costed reply within 24 hours. We confirm availability, send a costed proposal and the booking agreement.
  3. 03
    Sign + 50% deposit. Wire transferred. Date secured.
  4. 04
    PM kickoff. Production Manager — single PIC — contacts you for schedule, riders and logistics.
  5. 05
    Ticketing onboarding. Megatix + Redtix accounts opened, scanning configured.
  6. 06
    Pre-production payment (25%). 14 days out. We start prep, transport and crew assembly.
  7. 07
    Final balance (25%). Event day, before load-in.
  8. 08
    Show day. Our 16-person team handles everything from load-in to load-out.

Terms summary

Plain language. The contract is longer; this is the shape of it.

8 lines — open the contract shape

  • All production equipment and crew are managed exclusively by SROAST. No substitutions without written approval.
  • Client is responsible for event permits, artist bookings, security and crowd management.
  • Maximum sound level is subject to local noise ordinance. The FOH engineer ensures compliance.
  • SROAST carries full equipment insurance. Client must carry public liability insurance — minimum 10M THB recommended.
  • Equipment damage by client or third parties is charged at replacement value.
  • SROAST reserves the right to shut down production if safety is compromised.
  • Currency: USD (THB accepted at the exchange rate on transfer date). Method: SWIFT.
  • Bank details provided upon booking confirmation.

Honest answers

Questions promoters and technical teams actually ask.

12 questions — open the deck

  1. Is this an indoor or outdoor venue?

    Open-air, but the stage and FOH are under a 30 × 19 m engineered roof — ridge 9.10 m, eaves 7.45 m, 3 m+ overhangs all four sides. Audience area is uncovered. The roof is rated for tropical wind and rain; the audience plan should include a wet-weather contingency for ticket-holders.

  2. Can we bring our own FOH engineer or lighting designer?

    Yes — but they work on our consoles and our system. We do not allow third-party PAs or moving lights to be stacked over the rented rig. Visiting tour engineers regularly drive the CL5 and grandMA3 with our local team supporting; we will move file formats to whatever the touring console expects.

  3. What's the maximum permitted noise level?

    Subject to the local Kathu ordinance — typically <105 dBA at 25 m for outdoor events with the relevant variance. Our FOH engineer ensures compliance with whatever variance the client's permit specifies. We can advise on the variance application during the booking process.

  4. What's the curfew?

    Standard 02:00 with the variance most international acts pull on Phuket. Extending past 02:00 is paid by the hour ($1,500/h) and requires the variance to be filed in advance.

  5. What's the hard cap on attendance?

    3,500 — that's the permitted, crowd-flow-tested maximum across VIP (200) + Fanzone (500) + General Admission (2,800). The site is engineered around that number; we don't sell past it.

  6. Do you handle artist permits and withholding tax?

    Stage rental does not include artist permits or WHT — those are the client's responsibility, but we operate the legal layer of every show in Thailand and we handle this end-to-end as a separate scope. See /lp/legal-thailand.

  7. Can we use our own ticketing platform?

    Megatix + Redtix are our exclusive platforms for bookings made through Redtix Stage. They are operationally integrated with our access control and reporting. If you have a strict in-house platform requirement, we can talk through it on the brief — there are scenarios where we adapt.

  8. Is there power backup if the primary genset fails?

    Yes — 2× 200 KVA gensets with auto-transfer switch. Failover is automatic and audience-imperceptible. Fuel is monitored throughout the production period by our on-site electrical tech.

  9. Can we record or broadcast the show?

    Yes — recording / broadcast scope is a $5,000 add-on. We provide the multi-track feed and the live switched feed; uplink, post, and rights clearance are the client's scope.

  10. What if it rains?

    The stage and crew operate. The audience area is uncovered, so heavy rain is a client-side ticketing-and-comms decision. The roof is rated; the show goes on unless lightning forces a temporary stop.

  11. How early can we load in?

    Standard load-in starts day-of. For shows with heavy custom build (extra LED, pyro, complex set), we open the venue the day before for an additional crew day at cost. Confirmed at booking.

  12. Do multi-event bookings get a discount?

    Yes — 3+ date bookings get a multi-event discount. Talk to us early; the larger the block, the better the maths.

Brief us

Send the date. We come back in 24 hours.

Date · expected attendance · artist or format · anything unusual technically. That's the brief. We send a costed reply within 24 hours, the booking agreement, and the Production Manager's contact.

SROAST Entertainment Pte. Ltd. · UEN 202549936C · Singapore · main@sroast.com · +66 64 951 0288

SROAST Entertainment Pte. Ltd. — UEN 202549936C Privacy · Terms · © 2020–2026 · Singapore

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